75,000 words
first draft 1992 this version 2013
Sitting Ducks
Chapter
1 Smoking Gun Morning
2 Smoking Gun Afternoon
3 Evening
4 Jailbirds and Binaries
5 As It Was
6 Danger and Opportunity
7 Bang, Bang . . .
8 Passing Nods to Anarchy
1 Smoking Gun Morning
Thursday
Jerrod
Smoking Gun Morning
Thursday
1
Grinding
and growling, the hydraulic compactor in the garbage truck compressed
trash from the households of the Hills Dozed Flat development and woke
Jerrod, whose left cheek and was mashed against white linen pillow
permitting only his right eye to open seeing the orange peel textured
white wall two feet away. Jerrod did not enjoy this noisy, blank, idle
moment for long, because he realized the blank wall was glowing with the
brightness of sunrise and two disagreeable thoughts came to him —
“Gotta work today” and “Gonna be late.”
He
closed his mouth and tried to swallow, but his throat caught, and he
coughed explosively, then probed gently with his tongue, expecting to
find bloody bits of tonsil strewn about his mouth. He sensed only the
foul odor of residual alcohol sugars. His left arm had been pinned
under head and was so numb the nerves didn’t even tingle, so when Jerrod
rolled on his back and stretched arms and legs, the numb arm waggled
wildly and struck the bedside table. He used his good hand to flop the
sleeping arm across his stomach, then in quiet repose Jerrod breathed
through his nose.
Something
was wrong. Not his tonsils. Not his fingers tingling as if dosed with
novocaine. But the music, ethereal and improbable, played between the
whirs and bangs of the garbage truck. The music was wrong. Jerrod
rolled toward Lynda’s edge of the bed, his nose pressed her pillow that
smelled of gardenias and reached for the small clock-radio, gripped it
as a mason takes a brick, and placed it on the mattress in front of his
eyes. The red digits squarely facing him, the dots blinked once each
second. Then the minutes changed to the next higher digit, 7:45.
"Crap," Jerrod shouted, "I shoulda been up at six!"
This
outburst did not disturb Jerrod's wife or his children. Lynda was not
in the room; she was not in the house; this was unusual but not a
surprise to Jerrod. The previous evening after Jerrod had come home
late from work, drunk, and irritable, she had taken Jules, their girl,
and Jonathan, their boy, across town to stay with Jerrod's parents. She
had begun to think Jerrod should not be in the same house with the
children.
Jerrod
punctuated his outburst by squeezing his eyes shut and exhaling his
opinion of this particular morning, "Fuck!" Had he the time and desire
and intellect to explain that word, Jerrod would have said that God
should not be trusted with children. However, Jerrod did not have one
philosophical cell in his brain. 'Fuck', with a certain inflection,
summed up the essence of his existence.
Jerrod
considered physics to be understandable so he wondered why the
clock-radio was singing, not alarming. The clock was brand new; Lynda
had brought it home yesterday. Jerrod rotated the clock-radio and
examined its selector dial. A raised white bump on the knob's edge
pointed to 'Music', and a white flake on the knob's face pointed to
'Alarm', but this flake popped off under pressure from a fingernail,
just a speck of .
Jerrod
rolled on his back again. He pulled the clock-radio away from the
bedside table, until the electric cord stretched in a series of angles
from the wall outlet, around a table leg, over the table's edge, to the
singing box in his hand. He yanked and killed the digits and the music.
Swinging his legs free of the covers, he stood up and shook his
tingling left arm. In these seconds he resigned himself to what he had
to do today — eat, work, sleep, and cope with Lynda, Jules, and
Jonathan. The clock-radio was still in his hand.
He
walked out of the bedroom and into the hall. To his right where the
passage opened to the living room, the farthest wall was seven meters
from where Jerrod stood. He cocked his arm and waited as if teasing a
dog to play fetch, then he pitched the clock-radio. It streaked
through the air. Like the tail of a kite, the electric cord followed.
When the plastic box broke against the wall and fell to the carpet,
Jerrod was already staring at his reflection in the bathroom mirror; his
black hair was sticking straight up.
"I look like a goddam rooster," he said.
The
telephone rang while he was peeing into the sink. He squeezed and
shook a last drop onto the tiles. He stepped from the bathroom; the
hardwood floor of the hall warmed his soles; the kitchen linoleum
chilled his bare feet. He lifted the receiver on the fourth ring.
"Hello?" asked Jerrod, even though he knew the caller would be Lynda.
"Good morning. Did you miss me?"
"I
smelled gardenias on your pillow when I woke up this morning. I could
smell you, but you weren't here to hug." He opened the refrigerator.
"Aw, Jerrod. For a drunk, that's pretty good."
"I
was drunk last night. One night I'm late for dinner. You didn't have
to leave." Jerrod put the receiver between his shoulder and chin.
"But I wanted to. Did you remember to set the new clock-radio?"
"It didn't work. I'm late. The garbage truck woke me." He moved a can of ground coffee from the refrigerator to the counter.
"Oh, I'll take it back. I'll exchange it for a better one."
"No,
Lynda. I don't like the electric ones. Where did you put the old
wind-up one?" Jerrod reached to the coffee maker, swung open the filter
basket, and lifted the used filter and grounds.
"I threw it out."
"You
what? You mean I've got to gun down, I mean, run down the garbage
truck? Where did you put it?" Jerrod held the soggy filter between
thumb and finger.
"In
the bedroom wastebasket, the one next to my dressing table. But why
don't you let me exchange the clock I got yesterday? I'll get a better
model!"
"No!
I don't want you to buy anything. I mean, I like the wind-up one. I
like the way it ticks. It rings good and loud. I'm used to it; I don't
want another alarm clock." Jerrod dumped the old grounds in the trash
bag under the sink.
"I'll exchange it for something else then."
He pressed a clean filter into the filter basket. "Well, you'll have to glue it together first. I threw it against the wall."
"Jerrod! Why? You're always complaining that I spend too much money, then you go and you do something like that!"
"Listen,
Lynda, I don't have time. I'm standing here in my shorts. I'm late
for work, and I haven't taken a shower yet." Jerrod reached for the
coffee pot and accidentally knocked the filter basket. It swung shut.
"Are you forgetting something, Jerrod?"
"Lynda, you know I love you. Things just get to me, sometimes."
"No, I mean Jonathan!"
"Oh." Jerrod winced. Jonathan gets to me, too, he thought.
"I
wish you could see them. Grandpa and Jonathan are having cold cereal.
Everett says the cereal gives off heat when the sugar is sprinkled on
top. He's telling Jonathan to hold his hand above the bowl to feel the
heat — Oh! Everett! Now look what you've done!—"
"What's happening over there?" Jerrod turned on the kitchen tap and let water run to clear the pipes.
"Your
father, Jerrod! Everett smacked Jonathan's little hand into the bowl.
He splashed milk and cereal all over! — It's okay, Jonathan, don't cry.
Grandpa's just playing. See! There! Look, Jonathan. Grandpa will
let you hit his hand in his cereal! — Oh! Your father just tricked him!
When Jonathan went to smack his hand, Everett opened his fingers so
his hand can't fit inside the bowl. — Now, Grandpa! Play fair! You let
Jonathan hit your hand in your cereal, too! Yes! Okay, Jonathan, now
you take good aim and hit Grandpa's big old hand. Yes, go ahead. Momma
won't be angry with you. Go ahead. Oh! Everett! You horrible man! —
Your father!"
"What happened, Lynda?" Jerrod filled the coffee pot with four cups of water.
"Your
father pulled his hand away. Jonathan's fist smashed into that bowl.
Now, the table is covered with milk and bran flakes, and Jonathan's run
from the kitchen crying. — What? Oh, Everett! — Your father says he
just wanted to see if Jonathan had any spunk. I've got to go, Jerrod."
"Jonathan's crying? Lynda, why doesn't he have any spunk?"
"Oh, he's just a boy, Jerrod!"
"Will you be home tonight, Lynda?"
"Are you going to drink after work?"
"No." Jerrod poured the water into the coffee maker.
"Then I'll have dinner ready for you."
"Lynda,
tell Jonathan, Grandpa played the same trick on me when I was little.
Listen, I've really gotta go. I'll see you tonight." He set the
coffee pot in position under the filter basket.
"And Jonathan, don't forget Jonathan."
"Right. I'll see you and Jules and Jonathan after work. Bye." Jerrod returned the coffee can to the refrigerator.
"Bye, Jerrod, and thanks for calling."
"But you called me, Lynda." He pressed the coffee maker's switch.
"I know."
Jerrod
hung up the receiver, grabbed a loaf of wheat bread, and put two slices
in the toaster. He was already walking toward the hall, so he had to
lean back to push the toaster's lever. Pleased with how efficiently he
handled the call and the coffee, Jerrod strutted to the bathroom.
That
pride vanished in the bathroom mirror. A fly holding to the mirror's
chrome frame witnessed the fading sparkle in Jerrod's eyes. His lower
eyelids were darker and baggier than usual; his face, pale.
I
didn't think it would be like this, thought Jerrod. I'd like Jonathan
to smack my hand in my cereal. I'd like to see some spunk. Anything,
but those big, silent eyes. Why can't I get through to that boy? He
treats me like a stranger. He won't come out and play. And he's
supposed to go see a psychiatrist. Why does a five-year old kid need a
psychiatrist? What's happening to us? I never expected my life to turn
out this way.
Jerrod
wet his hair over the sink, then roughly toweled it dry. No shower, no
time. He washed his face and brushed his teeth. He shaved and cut his
chin. Smelling smoke, he ran to the kitchen and found the toaster
stuck. He unplugged it. The coffee pot held four cups of clear, hot
water.
"Fuck-fuck-fuck!"
He pressed the switch off, and hurried to the bedroom. He dressed
without changing his sleep-rumpled boxer shorts.
"Goddam,"
Jerrod grumbled, "I haven't had a shower. My shorts are fighting up my
crack. How am I supposed to teach people today?"
He
opened the top drawer of his dresser and reached for a pair of socks.
The heel of his hand pushed against the weight of the pistol. His hand
paused over the weapon, then grasped and lifted the gun. His thumb and
the cylinder pinched the toe of one sock, so this sock and its mate
were lifted from the drawer, also. The socks were dark brown and
Jerrod's pants were dark blue, but he didn't care. He tossed the socks
to the carpet near his black shoes, then he hefted the pistol first in
one palm then in the other. He curved his finger around the trigger.
He
imagined a black shadow tiptoeing through the bedroom door. In this
daydream, Jerrod shot first and asked questions later. The burglar had
no right, Jerrod had no remorse. He liked this simple and swift and
lethal justice.
But
this daydream annoyed Jerrod. It made his life seem complicated, slow,
and interminable. This morning he was unable to get the trouble in
focus, but he was certain that he never imagined things would turn out
this way. He was bored and bothered. Unable to mark a villain, his
mind went absolutely blank, void of images, void of thoughts. Then one
idea gleamed brightly, like a neon sign far away. His mind approached
and read slowly, "Exit Now."
Jerrod
threw the gun into his open briefcase and slammed it shut. He
hurriedly pulled on socks and shoes. He found the suit coat and
selected a tie and brushed his hair and buttoned down his collar and
grabbed his keys and wallet. Then Jerrod rummaged through paper and
dirty cotton balls in the wastebasket where Lynda had tossed his
favorite alarm clock. Holding this clock, he carried his briefcase using
two fingers of the same hand and used his other hand to carry the car
keys and lock the front door.
Jerrod
ran to his car at the curb, passing under the branches of a scrub oak.
He didn't notice the leaves beginning to display autumn colors. While
the motor warmed, Jerrod wound up the clock, set the time at
eight-thirty, and looked to see that the red alarm hand pointed at the
six. Like a child with a seashell, he listened to the ratchet clicking
comfortingly. Then he pulled out the alarm knob, thinking he had done
all he could to start Friday properly. Jerrod did not think well; he
had no training session scheduled Friday, and the alarm would now ring
at six o'clock in the evening. He placed the cocked timepiece on the
front seat.
Jerrod
obeyed the stop sign before turning on the county road. The county
road ended at a wheat field beyond the subdivision. Anyone leaving the
neighborhood had a clear view of traffic; the stop sign was unnecessary.
Residents routinely ignored the sign — a passing nod to anarchy. But
Jerrod always stopped. Because his life was out of his control, he
respected signs that told him where to go, what to do, or how to do it.
While
stopped, Jerrod opened the glove compartment and grabbed a roll of
breath mints. He had these mints stashed everywhere; each of the rolls
with a torn wrapper and some mints missing. Participants in his public
speaking seminars got rolls of breath mints to help their
self-confidence. At end of class, people often left the open rolls of
mints on their desks. Jerrod always collected these before leaving the
room.
He
peeled off a curl of paper and thumbed the next mint into his mouth,
then accelerated on the county road. He steered with one hand; the
middle finger of his right hand was in his mouth. He isolated an
irritating hangnail between his front teeth and bit at its root. A tiny
portion of healthy skin ripped when he pulled his finger from his
mouth.
"Ow!" He spit out the bit of flesh, not caring where it landed.
He
wiped the wet finger on his pants, then raised that same finger — his
middle finger — and shoved it up, shoved it in the face of nothing in
particular and everything in general. He just extended that middle
finger straight up from his fist and shook it at the sky. This gesture
summed up Jerrod's opinion of being human as eloquently as, 'Fuck!'
Sometimes a person simply didn't feel like talking.
He
left the gesture there to block the morning sun. The road pavement
formed a bump just before the level surface of the Coyote River Bridge.
Jerrod was driving too fast. At the bump, the front wheels left the
pavement and then landed hard. The car's roof staved his middle finger.
"Stupid idiot!" Jerrod sucked his finger and accelerated.
The
morning sun glared the windshield. When Jerrod passed the parked
Patrol Car, he lifted his foot from the gas pedal and resisted the urge
to brake. He hoped the deceleration would appease the officer, but the
lights on the roof of the Patrol Car flashed at him.
Jerrod
parked immediately. He hoped the process would not include a lecture
and a sobriety test. The officer cooperated, just a simple speeding
citation.
"The
fine will be $420 dollars, sir." The officer handed him a copy of the
ticket and returned Jerrod's license. "You'll see that amount deducted
from your next paycheck, Mr. Hunter."
"Thank you. May I go now? I'm late for work."
"Of course, sir. Travel at the posted speed limit, sir. You'll find you get to work faster."
"Of
course, good bye." In the mirror, Jerrod watched the officer walk back
to his cruiser, watched the regulation holster and pistol waggle with
each step. "Fuck! What a morning! Shit, piss, and walk in it! And
Lynda wanted to buy that new couch with this next paycheck. Well,
she'll just have to wait. Man, oh man, I hate it when she gets in one
of those I-want-it-now moods." He opened his briefcase, dropped in the
ticket, and noticed the silver pistol. Glancing at the side mirror at the officer,
he transferred the pistol to the car’s glove compartment, closed that and
the briefcase, then restarted the engine. The comforting rumble seemed
to also restart the day.
The
commute was only fifty kilometers; however, the drive always took at
least an hour and a half. He let the horses run until the county road
intercepted Meadowlark Skyway, then he merged with gridlock traffic at a
trot. Ahead, he could see the twenty-four floored, glass-skinned
national office of Manifest Destiny Corporation, his only client. He
taught company employees how to improve their speaking skills.
The
multinational corporation owned media, publishing, mining, lumber, oil
and agricultural enterprises. However, the public associated MD
corporation with its family and healthcare products. The best
advertising firms that money could buy carefully painted the corporate
face, giving it the kindly visage of a country doctor. People
recognized and trusted the brand: MD — Your Family Doctor.
After
parking, Jerrod gathered his presentation materials from the trunk of
his car. Precariously balancing flip charts and two kit bags, he
threaded his way through a crowd also intent on getting to work quickly.
These people suddenly realized that Jerrod was exactly where they
needed to be. Three people bumped into Jerrod. Each without
encumbrances, each presumably sighted, yet each jostled him violently
enough to dislodge the rolled flip charts from his bent arm. One person
stepped on a flip chart, flattened the roll, and walked away.
My
son acts as if I'm an intruder in my own house, Jerrod thought. My
wife tells me I'm a selfish imposter of the man she married, and now
strangers go out of their way to bump into me.
Jerrod picked up the flip chart.
"That bastard could've at least apologized," he grumbled to himself.
Above his head, a helicopter, looking like an very expensive dragonfly, landed on the roof of Manifest Destiny Corporation.
Harmon
Chirping and twittering, the shore songbirds chatted up the morning and woke Harmon. The left side of his face was mashed against a blue satin pillow, so he opened only his right eye and looked out the bay window at the gently swaying pine branches, catching the flit of feathers as a finch flew to another perch. Harmon enjoyed this green and idle moment. A prudent and profitable thought came to him — Zawanabanir wants a Cobra!
Harmon
had slept with his mouth open; now he tried to swallow. His throat
caught, and he coughed explosively. Harmon probed gently with his
tongue, expecting to find bloody bits of lung strewn about his mouth.
He found nothing but a faint taste of Isabelle.
Harmon
rolled on his back and slid an arm under her head and shoulders.
Isabelle languidly stretched; her left arm extended above Harmon. He
admired her pale delicate hand opening to the morning light, then that
hand abruptly dropped, striking him on the nose. He grimaced and lifted
the offensive hand, bending her elbow and setting the hand on her
wonderfully flat stomach. She hummed sleepily, breathing through her
nose.
Then
something was right. Not the birds. Not Isabelle's breasts, although
they were just good, Lord knows, they were good. But a ringing, bald
and flightless, played between the chirps and twitters of the birds.
The telephone was right.
Pulling
his arm out from under her body, Harmon rolled onto his stomach, to the
edge of the bed. The box springs sproinged and popped under his tall
and heavy boned body, his wide shoulders, his massive head. His nose
pressed a pillow that smelled of last evening's sexual play, but this
scent did not distract Harmon. He groped for the receiver, grabbed it
as a rapist grips a wrist, and brought it to his lips.
"Hello,"
he croaked. With his eyes shut, he listened to the caller. The
corners of his mouth drew up into a smile. When he heard the word
'settle', Harmon began salivating; winning always made him hungry. "You
get her to play ball with us, Whipsnide," he whispered. It was a
command. Then he added, "I want to see our file on King Zawanabanir,
and call Rolls Royce. Find out where the King stands on the waiting
list. See you at the office. . . . Yeah, I slept in today. . . .
What? Listen, either that nut of a woman settles out of court, or I'll
castrate you with my bare teeth." He yelled this last phrase and
slammed the receiver on the cradle.
This
outburst did not disturb Harmon's wife. Henrietta was not in the room;
she was not in the house. She had stayed, as usual, at the city
estate, where the grandchildren go to school and the nanny goes with the
children, where a butler answers the door, a chef cooks the meals, and a
secretary answers the telephone.
Harmon's
outburst did not disturb Isabelle either. She had had, as usual, just
the right amount of champagne after last night's dinner.
Harmon
punctuated his outburst by rolling to Isabelle's side, squeezing her,
and exhaling his desire on this particular morning, "Fuck me!" Had he
the time and desire and patience to explain that phrase, Harmon would
have said that the cosmos is delicious, that God alone should be the
judge in lawsuits, and that the only real break you get in life is
during orgasm. However, Harmon had neither time nor patience, and he
had only one consuming desire: Penetrate Isabelle's voluptuous body.
At
this moment between silk sheets, Isabelle wondered why Harmon was in
such a rush; his haste reminded her of that first time in his office
after work. She yielded to him, said nothing, and felt little. She
thought she had trained him better than this. She knew he was
trainable, but he disappointed her this time. She would have to
accelerate the training of this lover. He knows better, she thought and
pressed her hands against the bed's headboard, undulating her hips to
meet his insistence.
Finished,
Harmon rolled on his back again. He pulled a corner of the sheet to
his mouth and wiped at his lips. While absently caressing Isabelle's
flat stomach with one hand, he lapsed into daydreams of white sand
beaches and bathing beauties with extremely tan skin. Then he reached
to the carved wooden humidor next to the telephone and selected a fine
fat cigar.
Swinging
her legs free of the silk sheets, Isabelle set one knee on either side
of his chest and snatched the cigar from his hand. Breaking the cigar
in two, she tossed it aside and grabbed his penis, hard. Harmon would
have objected, but before he could speak, she let go and sat on his
face.
"Before
you go to work, Harmon, you have to eat," she said with the tone of a
master to a slave, yet coyly — a coy master. He obediently ate, and
Isabelle was sated. When he walked to the bathroom door, he paused to
look back at the woman. She lay with one finger held between her lips, a
pin-up girl seductively licking her finger and sweetly smiling at him.
"You
were good," Isabelle said. She reached to the humidor and threw a
cigar to Harmon. He caught it and placed it between his teeth. He
chewed on its end a moment, then motioned as though to tip the brim of a
cowboy hat to a lady.
"Frankly,
Isabelle, I give a damn," he drawled, then stepped into the bathroom
and stared at his reflection. "I look like a rooster!" he said,
pressing down a ridge of curling auburn hair. He sat on the toilet, lit
the cigar with a silver lighter, and pick up a copy of International Business Report. The phone rang as he was sitting there. He glanced his watch and grabbed the wall telephone above the sink cabinet.
"Hello?" he said, even though he knew the caller would be Henrietta.
"Good morning, dear."
"Morning, Henrietta. Did the kids get off to school okay?" He spoke loudly to warn Isabelle.
"Oh, Harmon, you'll just have to talk with Junior when you get home tonight — you are coming home tonight aren't you?"
"Yes.
I gave Marie the list of items for the party this weekend as you
asked. And Dorales understands he must paint the trim and wash the bird
shit off the driveway before Saturday noon. I told them the President
will be among the guests."
"And the flowers, remember the flowers, Harmon."
"Right." Isabelle came into the bathroom at that moment and turned on the faucet.
"Is that Marie? You must be in the kitchen, I can hear water running. Please tell Marie about the flowers, dear."
"Right," Harmon said again, then turned to Isabelle, "Marie, Henrietta wants to be sure you know to change the flowers—"
"All the flowers, Harmon, tell Marie to remember the gardenias in the bathrooms."
"All
the flowers, Marie, even the gardenias in the bathrooms." Isabelle,
naked as a baby, performed a mock curtsy for Harmon's benefit. "Okay,
Henrietta, now what is this about Harmon Junior?"
"Well,
they just left, right before I called you. It's almost eight o'clock
He and Trisha are late for school again. And it's his fault, Harmon.
You've got to talk to that young man. Before he gets dressed, he has
that video game on, and he won't even talk to me when I look in on him.
Getting that boy dressed and fed is like pulling teeth. And that nanny
is no help. I know I agreed we'd give her another week, but really,
Harmon, she is clueless."
"Yes,
dear." Isabelle sat on Harmon's lap and blew lightly into his free
ear. "Don't you—" Harmon started then mouth silently to Isabelle, 'Stop
that'.
"What, dear?"
"Uh, don't you think you should call the agency and begin interviewing new nannies."
"Well, yes, but you were the one who thought—"
"Henrietta,
you know best what to do for the children. I'm sorry I butted in. You
go ahead and call the agency today, okay?" Harmon reached under
Isabelle's bottom and lifted her off his lap, slapping her bun as she
stood.
"What was that? I thought I heard something. It sounded like a slap."
"Yes, dear. A fly was pestering me. I don't understand why Noah had to include two flies in his list of passengers."
"Well,
have Marie bring in the electric bug lights from the patio for the next
two days. I certainly don't want a fly landing in the President's
cocktail. And you said you'd call the editors of your papers today,
remember?"
"Yes,
I'm supposed to be sure they don't send any black reporters to cover
the Ambassador's reception. But, Henrietta, the Ambassador himself is
black."
"All the more reason not to make a blunder. He'll appreciate that we only want to have the best reporters in his audience."
"Well,
listen, Henrietta, I just don't want to ask that. I don't feel right
about it. Now, I know this is your affair, and everyone raves about
your parties. So, so you call the papers, Henrietta; I'm not going to."
"Well, yes, I guess I'd had better."
Isabelle
leaned over an open drawer at the sink cabinet. Even at this angle,
her silicon implanted breasts held their shape, and Harmon reached out
and cupped the closest in a hand. Isabelle smiled and pressed her hand
beneath his, massaging gently . Then she pulled his hand away and
placed it between her thighs.
"Yes, you do it best," Harmon said to both Isabelle and Henrietta. Isabelle selected a washcloth and slammed the drawer shut.
"Oh,
Marie's still with you in the kitchen? I wanted to talk to her about
the dust on the top of the door frames. Put her on the phone will you,
dear."
"Yes,
dear. Oh — well, she just left with a cloth in her hand. Perhaps she
read your mind, dear. I'll be sure to tell about the dust. Listen, I'm
late. I'm not even dressed for work yet, dear. I slept late."
"That's not like you to sleep in, Harmon. Do you feel well? You should take more breaks from work."
"Yes. I'm fine, but I really should get off the phone now. I have to meet Whipsnide at the office by ten."
"I wish you could do without that man. He gives me the shivers. He has hands like a dead fish."
"His
hands may be cold, but he has the Midas touch. He's the best financial
consultant in the country, maybe the world. For what I pay him, he'd
better be." Isabelle pouted in front of the shower, tired of waiting.
"There's only one person who treats me better than Whipsnide."
"Who's that, dear?"
Harmon lowered the receiver from his mouth. "You," he said to Isabelle, but of course Henrietta thought he meant her.
"Thank you, dear."
"Now, I really must go. I'll be in hot water soon."
"Harmon?"
"Yes?"
"You'll talk with Junior when you get home?"
"Yes,
dear. Goodbye now." Harmon hung up the receiver and puffed
thoughtfully on his cigar, appraising Isabelle's immaculate curves.
"You take your shower," he said to her. "I need something to drink.
Want some orange juice?"
"Yes. Thank you. Just set it on the sink there."
Harmon
tipped his imaginary cowboy hat again to the lady. "Yes, ma'am," he
said and backed out of the bathroom, reluctant to leave his beauty.
In
the kitchen, Harmon phoned the house managers, Dorales and Marie, who
lived in a small but comfortable home on the estate grounds. He told
Dorales that he and his companion would be out of the house by
nine-thirty and repeated Henrietta's instructions to Marie.
As
he spoke, he opened the refrigerator. Marie had left fresh squeezed
orange juice in a crystal pitcher. She had squeezed the fruit last
evening; Harmon knew this because Marie had penciled yesterday's date on
the decorative frosted stripe circling the pitcher's girth. She had
added the abbreviation 'p.m.' after the date, as Harmon had requested.
He hated discovering the juice had gone off only after swallowing a big
gulp.
The
last time the juice had soured in the pitcher, Harmon had taken a full
swallow, expecting sweet refreshment. Instead the sharp tang of
fermentation enraged Harmon. He had thrown the crystal pitcher into the
sink. Marie had had to order another from Belgium; she ordered two,
just in case.
He
poured two tall tumblers full of the golden juice, then on the rim of a
short glass he cracked an egg. He lifted the glass to his nose,
sniffed, and studied the yolk. He dumped this egg in the sink and broke
open a second egg, using a second glass from the cabinet. Displeased,
he set this glass in the sink and repeated this operation with a third
and fourth egg before being satisfied with the orange-yellow color of
the yolk.
"Dorales
isn't giving his chickens enough scratch," he said to himself.
"Chickens need a lot of ground to roam and scratch. These eggs might
as well have come from a factory." He picked up the glass, swirled the
raw egg, then tossed it in his mouth. He bit open the yolk and savored
its flavor before swallowing.
"Damn eggs have no flavor," he mumbled and carried the two glasses of orange juice upstairs.
At
nine-thirty, Isabelle and Harmon buckled the seat belts of a corporate
helicopter. Harmon wore a cowboy hat and aviator sunglasses. He
piloted the craft in a wide arc, sweeping over the pines of his ocean
estate, out over the cliffs, over the old coast highway, and finally
over the blue water and white waves of the shoreline. Last night was
the first time he had brought Isabelle to the ocean house, and he wanted
her to see the estate in the morning light. He turned inland again and
pointed to the coastal mountains, explaining to Isabelle that the
estate extends from the ocean to the mountains. He pointed out the
chicken coop and the home for Dorales and Maria, then passed low over
the main house and garages. Isabelle noticed a single garage that
appeared newer; it stood between the house and the multiple garage.
"Is that where you keep the Royce Fellini Cobra?"
"What?
Oh, yes." He paused a moment, this time appraising Isabelle's mind.
"That's observant of you. But how did you know I had a Royce Fellini
Cobra? I just took possession a month ago."
"Oh,
you know how people talk at the office. In fact, people were betting
on how soon you would get the car. What color is it?"
"Red.
You know there are kings waiting to get one of those. I drive it only
on Sundays; I drive it to the Seagull Inn to get the morning paper. I
don't even stay for a cup of coffee. I tell you, you can't imagine the
pleasure in driving a car like that."
"Well,
before yesterday, I couldn't imagine what it was like to ride in a
helicopter. Thank you for the wonderful evening, Harmon."
"It's just the beginning for us, Isabelle."
"I like to hear you say that."
They
cruised inland at top speed over the ridge of coastal mountains ("See
there?" asked Harmon. "See the fence? That's the boundary of the
estate.") and the broad valley beyond. As they neared the city, Harmon
cut the throttle a notch or two, wanting to prolong his morning with
Isabelle. He pointed to the expanse of cultivated grain surrounding the
city. The view was breathtaking to Harmon, his corporation owned most
of that farmland.
Isabelle
noticed the green fields of young grain in the valley, and she noticed a
bald, dirty housing development. A bald, dirty river made a wide loop
around the subdivision.
"Is that the Coyote River?" she asked.
"Yes."
"Why is it empty?"
"It's not empty."
"Looks empty to me," she said watching the river below.
"There's water in it."
"No there isn't, Harmon! Look!"
"Yes! See there and there. Water."
"Well, my family used to picnic by that river when I was young. We used to picnic in a park out this way, somewhere."
"The River Bend Park?"
"Yes, that was it," she said with transparent hope.
"That's where we were. A developer bought the land from the county and built those houses on it."
"But when we were there the river was full of water, all year. Where did the water go?" she asked glumly.
"People
need that water, Isabelle. Water that simply flows to the ocean is
wasted. People need that water for drinking, for growing food. That's
what happened to the water," Harmon said. He was sorry to tell her this
truth, sorry to damaged her childhood memories. "Look," he said
gesturing at the wide city now below them. "While you were growing up,
men like me made this city what it is today. In ten years it has
quadrupled in size; that means jobs and wealth for thousands and
thousands of people. You work with me in the tallest building in this
city. It's just beginning for us, Isabelle."
The
entire valley rotated like a record on a turn table as Harmon piloted
the helicopter in a descending turn, approaching the roof landing
platform. The traffic on streets below was thin, and Isabelle could
read what had been written on the pavement. On the streets bordering
the office, someone had spray painted, "THE DOCTOR IS A QUACK." The
words were done in white paint; the letters formed by dots, as if by a
giant dot matrix printer.
"Look
what someone has written on the roads!" said Isabelle. "Why would
someone say that? Why would someone say that about you?"
"I don't know, but I sure as hell am going to find out who did it."
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